Ramé is a collection built around the idea that disorder is not a flaw; it does not cause harm but creates beauty.
Ramé
Academic year
2024-25
Ramé is a Balinese term used to describe a situation or emotion marked by extreme chaos and, at the same time, profound beauty and joy.
From this concept comes the inspiration for a project built around the idea that disorder is not a mistake—rather than causing harm, it creates beauty.
At its core lies a creative process shaped by a working method that embraces chaos as a starting point and a source of inspiration—a fertile ground that allows room for play, beauty, and experimentation.
Approaching chaos as a wellspring of creativity opened the door to new design possibilities, pushing beyond the limits imposed by traditional frameworks. The transformative process that defines the pieces in the collection is not only technical but also symbolic: it represents a journey and a personal evolution, a way of embracing imperfection and discovering within it beauty and new potential.
The result is a collection characterized by bias cuts, facings, belts, and cords that give life to the garments, combined with an earthy color palette contrasted by green and light blue. The fabrics—lightweight wools with a more tailored cut—stand in contrast with the sporty nature of the details, creating a deliberate dissonance.
The collection brings together materials, techniques, and details that overlap, intertwine, and transform, giving shape to a narrative that is also a sensory and emotional experience.
In an era in which the pursuit of perfection and control seems to dominate every field, Ramé emerges as a form of poetic rebellion—a call to rediscover the value of complexity, uncertainty, and cross-pollination.
Thesis project by Martina Serra - Bachelor of Arts in Fashion Design
Coordinator: Nicola Frau
